I haven't viewed Heidegger's critique as important enough to invest much time in it, so I can't provide information on what other philosophers have said regarding his views.
But the obvious defects to me seem to be that
he posits a dichotomy between aesthetic art as an object to be experienced by a subject and some deeper "presencing" connection, yet he doesn't have particularly compelling evidence that this distinction even exists, and
it's less than clear that "great art" is at an end or in trouble anyway even in the aesthetic tradition. Perhaps the medium changes, as people do get tired of, say, oil on canvas, and instead build spectacular buildings or moving memorials or documentaries or movies that cause you reflect deeply.
So, basically, the two main thrusts of his essay seem poorly supported at best (especially given the hindsight of history and modern knowledge of cognitive science).