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In art there is:

an “essential strife” between two interconnected dimensions of intelligibility (revealing and concealing) which Heidegger calls “world” and “earth” in his most famous work on art.

I claimed, in a very short essay for school, that a particular poet was second rate because their technique begins with unconcealment.

Can world without earth begin an artwork's strife?

  • fwiw the poet was ted hughes and i FLUNKED – user6917 Mar 30 '16 at 8:54
  • i edited out some reasoning about the importance it does not. apologies for not (ever) being clear – user6917 Apr 1 '16 at 22:21

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