I recently got thinking what would have happened if Popper had been an art critic instead of philosopher of science; how would he have applied his method to art?
Perhaps he would have said lets begin by looking at all the art in the world; when we look at every painting, he says, we see what they all have in common is that they're set in a frame; thus, I deduce that art is defined by that which can be framed; its the frame that is the key to art; it sets its limit and its boundary, anything outside of the frame is not art.
Of course, this is something of a parody - no art critic (pace Duchamp) - thinks like this; but there is something in common with this and with his characterisation of science as being limited or bordered by the falsifiable; anything outside of that - the unfalsifiable - is not science.
Feyerabend, argued for a more organic understanding of method in science; which is why his book is called against method.