Once the current or old values are deemed false it impels a revaluation of values. I.e. from Heidegger's Off the Beaten Track (GA 5: Holzwege) pages 167-168:
In this way Nietzsche recognizes that, even with the devaluation of
the hitherto highest values for the world, the world itself remains;
and above all that the world grown value-less is inevitably impelled
toward a new dispensation of value. After the hitherto highest values
have lost their validity, the new dispensation of value is changed, in
regard to the former values, into a "revaluation of all values." The
no to the former values is derived from the yes to the new
dispensation of value. Since (in Nietzsche's view) this yes neither
negotiates nor compromises with the previous values, an absolute no is
part of this yes to the new dispensation of value. In order to secure
the absolute character of the new yes against a regression to the
former values, i.e., in order to ground the new dispensation of value
as a countermovement, Nietzsche calls even the new dispensation of
value "nihilism," namely, a nihilism which, through devaluation,
completes itself in a new and exclusively normative dispensation of
value. This normative phase of nihilism Nietzsche calls "fulfilled,"
i.e., classic nihilism. By nihilism, Nietzsche understands the
devaluation of the hitherto highest values. Yet at the same time
Nietzsche finds himself affirming nihilism in the sense of a
"revaluation of the highest values." The name "nihilism" is therefore
ambiguous; seen in relation to its extremes, it always has two
meanings from the start, in that it designates the pure devaluation
of the former highest values, but at the same time it also means the
absolute countermovement to devaluation.
Furthermore, these are the paragon qualities for one who undertakes such a revaluation, from Heidegger's Nietzsche, Vol 1. The Will to Power as Art (GA 6.1: Der Wille zur Macht als Kunst) pages 73 & 71:
Against the nihilistic philosopher of morality (Schopenhauer hovers
before Nietzsche as the most recent example of this type) must be
deployed the philosopher who goes counter, who emerges from a
countermovement, the "artist-philosopher."
Nietzsche says explicitly that with a view toward the essence of the
artist the other configurations of will to power also — nature,
religion, morals, and we might add, society and individual, knowledge,
science, and philosophy — are to be observed. These kinds of beings
hence correspond in a certain way to the being of the artist, to
artistic creativity, and to being created.