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What is the difference between sublimity and fearsome things? Is a despot sublime in their immoral actions? I would suggest critical thinking.

See e.g. Burke and a "delightful horror"

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  • This question could be improved by asking how sublimity differs from the characteristic of causing fear. As written, the answer is that one is an attribute and the other is an emotion, which I'm sure is unsatisfying.
    – g s
    Commented Feb 4 at 20:06
  • hey @gs do i need to add something on objectivity?
    – user71399
    Commented Feb 4 at 20:27
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    I can't see why you would.
    – g s
    Commented Feb 4 at 20:42
  • You do come up with some interesting questions, I just wish I could understand them.
    – Scott Rowe
    Commented Feb 5 at 0:25
  • i don't get what's not to understand, but thanks @ScottRowe
    – user71399
    Commented Feb 5 at 1:03

4 Answers 4

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The two words have entirely separate meanings. Fear is an emotion- sublimity is not. Sublimity is normally used to express a high degree of some praiseworthy quality, such as beauty, grace, purity, skill etc. I think it would be considered an incorrect or at best ironic use of the word to talk about sublime immorality.

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  • yeah i agree with your last statement, but i thought something like fear was involved in siublimity. icba going through my notes, so that's all you're getting from me unless you ask nicely or not
    – user71399
    Commented Feb 4 at 12:56
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    In esthetics, "sublime" does not refer to things like beauty, grace, etc. except indirectly. It refers to an object that is awe-inspiring such as a violent storm or a volcano, something of great power and majesty, capable of instilling fear. Commented Feb 4 at 17:44
  • @DavidGudeman Hi David, many thanks! I am happy to take your word for it. Commented Feb 4 at 21:19
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In traditional esthetics, there are two qualities that are discussed: beauty and being sublime. Beauty mean pretty much what it means in common speech, but being sublime doesn't. In esthetics, to say that an object is sublime is to say that it is awe-inspiring, that it gives the impression of greatness. The Alps have been described as sublime in this sense. In the opening scene of Star Wars, when you see the small ship being pursued, and then they pan out to show the great size of the pursuing ship, they are trying to give an impression of the sublime--something of great size and power, capable of causing great destruction.

Many common examples of sublime objects are natural events of great power, the sorts of things capable of causing great destruction and many violent deaths, so the sublime is linked with fear, but it is not the same thing. You might, for example, watch a volcano from a distance without fear, but still experience the sublime.

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  • You can find tornado videos where people just stand there watching it come on, then they film the wind blowing the porch off and then the roof. Not worth being afraid if you can't run.
    – Scott Rowe
    Commented Feb 5 at 0:57
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There's a great Existential Comics piece about the sulime: The Wrath Of The Sea. This makes the case that the sublime is what reminds us of our own insignificance, which we forget. Certainly Schopenhaeur focused on this kind of feeling of immensity and vast time through the sublime.

Experiencing the sublime is an aesthetic experience. Despots and immoral actions are not generally defined in terms of the aesthetic experience of them. Someone may have found the Neuramburg Rallies sublime though. The idea of a new Reich that would last a thousand years, drew on aesthetics and past glory, to evoke feelings about that future.

Burke argued the sublime cannot be (simply) beautuful, but must create awe and even horror. But that's not saying anything evoking awe and horror is sublime. He is talking about experiences that draw us into moment, into a reaction that's not mediated by processing and evaluation, but a direct emotional reaction. He focused on the physiological experience of reacting to it.

I'm inclined to think making the sublime a special category is kind of odd, like seperating evil from the spectrum of bad things and their contexts is also sketchy. Western Philosophy would benefit I'd say from more attendance to aesthetics, which can be a way of bringing ideas into the lives of far more people. Perhaps in defence of the sublime we can look at it as a way of encouraging focus on more exalted experiences, and a context for discussion of them.

Tinpot dictators and bad people doing bad things isn't it though.

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I will reply with what I have

There are two sublimes for Kant, dynamical (when we respond with helplessness) and mathematical. In the latter, imagination is overwelmed by temporal or spatial size, and so fear, even-though the sublime object is not inherently fearsome, as we can be in a safe place and experience it as sublime,

For Kant, it is that delight from afar that empowers us; two moments, ending with the empowerment from reason.

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    In one of my Kindle books, I wrote: "The 'I' shrinks to a point, with all rays passing through it. Sublime."
    – Scott Rowe
    Commented Feb 5 at 0:34
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    Perhaps related in some demented way: soon after having major surgery I sneezed, and it hurt so much that my vision whited out and I nearly fainted, the single greatest moment of pain in my life. I didn't sneeze again for over a year.
    – Scott Rowe
    Commented Feb 5 at 1:31